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The Busan International Film Festival wrapped up its 10-day run in the coastal city on Friday. The 30th Busan International Film Festival concluded Friday after ten days of screenings and events, with the inaugural Busan Awards recognising outstanding achievements in Asian cinema. JoonAng Ilbo reported that the new competitive section marked a major step forward for the festival.
Zhang Lu takes top prize
Chinese filmmaker Zhang Lu received the Best Film honour for ‘Gloaming in Luomu,’ a poignant drama about a woman travelling to a remote village in search of traces of a lost love. Known for blending warmth with subtle humour, Zhang was praised for capturing the meaning of life through poetic storytelling. Jury members said their choice was unanimous, highlighting the film’s depth and artistry. On stage, Zhang reflected, “This is my second time here – I won the New Currents Award two decades ago,” drawing a standing ovation as he wished to return for BIFF’s centennial.
Shu Qi’s directorial debut recognized
The Best Director award went to Shu Qi for her first feature, ‘Girl,’ which tackles the issue of domestic violence. Transitioning from acting to directing, Shu expressed gratitude to Hou Hsiao-hsien for his support. She dedicated the award to women overcoming trauma, encouraging them to embrace strength and resilience.
Korean cinema shines
Korean director Han Chang-lok secured the Special Jury Prize for ‘Funky Freaky Freaks,’ while Lee Ji-won earned Best Actor for ‘En Route To.’ Japanese performers Kitamura Takumi, Ayano Go, and Hayashi Yuta jointly received the honor for their roles in ‘Baka’s Identity.’ The Artistic Contribution Award went to ‘Resurrection’ for its striking visual design by Liu Qiang and Tun Nan.
Record audience attendance
Festival organizers highlighted increased audience engagement, with 175,889 people attending screenings, a rise of 20,000 from the previous year. Around 63,000 joined panels and forums, including Forum BIFF, which returned after a three-year break. Featuring 328 films, the event opened with Park Chan-wook’s ‘No Other Choice,’ setting a celebratory tone for Asian cinema’s future.
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