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Ari Emanuel Tours His Book in Hollywood, Nobody Cares

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Editorial Disclosure: This article is an editorial-assisted curated synthesis of verified global coverage. The original source reporting has been analyzed, structured, and compiled by Pune.Media’s Editorial Desk to bring you high-density business insights.

Original Coverage & Source Attribution: www.thewrap.com

It should have been one of Ari Emanuel’s homecoming moments, his public talk about his new book, “Roll the Calls,” with Kara Swisher last week at the Ebell Theater.

Except Hollywood didn’t bother to show up. A few rows up front were reserved for Emanuel’s friends and VIPs which consisted of some family members, his close pal, director Pete Berg, and some agents, according to one person who sat nearby. The green room had a small selection of friends, no more than 20, circulating afterward. The audience was made up of “civilians,” as one person put it, rather than the insider VIPs that Emanuel, as one of Hollywood’s most powerful players, should command. 

Just as well, though, because apparently Emanuel was really boring. He did not hold forth on the accumulated wisdom of his 40 years in the industry: building an agency, taking over a legacy rival, buying companies like the UFC and WWE for billions of dollars, pushing hard into live sports and going public and then private again. 

Instead, he fell back on his grievances with his previous longtime partner Patrick Whitesell, who he swears he will never talk to again; complained about Jeffrey Katzenberg and President Joe Biden; and parried Swisher’s probing about his friendship with Elon Musk. By all accounts, it didn’t land with an audience that wasn’t interested in these personal scores. 

Ari Emanuel signing his books, “Roll the Calls”(Courtesy of Darlene Chan Books/Instagram)

But that, according to friends and former friends, is classic Ari, all alpha male energy, unfocused, distracted, but full of bravado. It’s all distilled in his book that — as an excerpt in the Wall Street Journal highlighted — opens with the all-caps word “RAGE” and proceeds to embrace that quality as the deep DNA that fuels him.

But it isn’t connecting. 

“No one came in LA because no one gave a fuck,” said one former collaborator.  “What’s got to be sad for him is: he spent 10 years writing this book and he’s not landing it. People in Hollywood are like: he’s an asshole. People on Wall Street are like: who is this guy? He’s just corrupt. So he’s not landing the way he wants to no matter how many podcasts he does.”

An individual close to Emanuel disputed that few industry insiders attended the event.

Ari Emanuel, William Morris Endeavor, WME, Endeavor

Respected business blogger Bob Lefsetz went radioactive on the book in a post on Sunday: “It’s not long before the reader decides he wants no part of Ari’s world, hustlers fighting for power and money… Used to be people read these books for an inside view of Hollywood. Because Hollywood was the dream factory, running the world. That’s far from the case today, for decades the focus has been on tech. Movies don’t change the world, TV can…and that’s where Ari starts out and…

“He keeps telling us he’s dyslexic, he’s got a chip on his shoulder. But this comes up over and over again. WE GET IT ARI! But we don’t completely buy it, because whatever is going on you ended up very successful, it couldn’t have held you back that much.”

Ouch. Emanuel has been doing lots and lots of podcasts, along with public appearances with celebrity interviewers like Swisher, Rachel Maddow and Tina Brown at paid ticket events in L.A., New York, London and Chicago. 

But here in Hollywood, people who have read — or read pieces of — the book aren’t impressed. I spoke to several, including many who lived through the key events with him, and they say that he’s focused on trivial details, such as whether Jim Wiatt laughed at him in a meeting to discuss a merger with Endeavor, while entirely missing the broader picture of his actions. 

“His stories are about deep resentment and hatred and they’re misaligned with why it happens,” said one of the people I talked to who has read the book. “He’s triggered like a child when resentment occurs and years later he can’t put it together. Because it’s never a real screw-up over about business issues. It’s always over ego and control.”

Another former collaborator had a similar view, that Emanuel can’t see his own hypocrisies. He complains that his former partner, Whitesell, went behind his back to their financial backer, Egon Durban. But then Emanuel excuses his own betrayal of William Morris’s leaders Jim Wiatt and Irv Weintraub. Wiatt was summarily ejected from the merged agencies of Endeavor and William Morris in the immediate aftermath, despite an agreement to share power.  (An individual close to Emanuel said there was a difference because of the long-term friendship with Whitesell.)

Patrick Whitesell, Ari Emanuel, William Morris, Endeavor
Patrick Whitesell and Ari Emanuel during Endeavor 2006 Pre-Oscar Party in Los Angeles, California, United States. (Photo by J. Vespa/WireImage)

“This book is such a selective Rashomon of what happened,” this person said. “In the Journal excerpt, there are two badges of honor: I lie. I gave my word and then I fucked them — Jim Wiatt and Irv Weintraub. When you start with the notion that you’re a liar and celebrate it — what else are you lying about?” 

I certainly have a point of view, having lived through that merger battle in the year I was building TheWrap. As a witness to how Emanuel used blogger Nikki Finke (she used him too, don’t worry) to shape and manipulate perception of the merger, it is particularly icky to hear him celebrate that manipulation and excuse his own shabby treatment of Wiatt. 

He writes: “At moments I feel bad about shivving Wiatt and Weintraub. Most often I don’t feel anything at all. I hope I get out of the game before the sharks eat my legs, but I also know the odds are 50-50.” 

Here’s another petty obsession: CAA CEO Bryan Lourd. Emanuel can’t control his long-simmering envy over the more polished Lourd, who he calls a “sociopath” (Lourd is the furthest thing from that). His proof of that is accusing CAA of not protecting its female clients from the predations of Harvey Weinstein. (Julia Ormond, a former client, has sued CAA over this issue.) 

A former friend angrily pointed out to me that none other than Sean Combs was seated at the head table at Emanuel’s wedding in St. Tropez in 2022. “He’s a walking contradiction,” said this person. “You want to go after enablers? But Sean Combs is OK?” 

The individual close to Emanuel said he is no longer friends with Combs.

There are other, deeper dismissals of the book. For one thing, a second printing, I am told, is going to need a couple dozen factual corrections. The Emanuel insider said the corrections are no more than a dozen.

But most of all, Emanuel is silent on the topic of his biggest swing: taking Endeavor public in 2021 in an IPO with the private equity firm Silver Lake, and being forced to take the company private in 2025 as Wall Street failed to validate the company’s value. He was the CEO, and was responsible for this failure to launch, as I’ve written about before.

At the end of the day, he’s an agency guy. He tried and failed to build an entertainment behemoth. But he did build (or more accurately, acquired) a major talent agency that endures and thrives. 

Lefsetz concludes: ““Roll the Calls” is a megalomaniacal victory lap. It is not unreadable, but at times you want to stop, because it’s only “I did this and then I did that,” over and over and over again. I don’t care how much money you’ve got Ari, how many famous friends, reading this book I can only come to one conclusion… YOUR’E A LOSER!”

“Roll the Calls” is on the New York Times bestseller list, but it’s not No. 1. That honor goes to a book by Princess Diana’s brother Charles Spencer, “Swan Song.” I’m hearing that Emanuel is furious.

Pam Abdy, Mike DeLuca

Zcash and Monero lead crypto gains as Bitcoin a…

Editorial Disclosure: This article is an editorial-assisted curated synthesis of verified global coverage. The original source reporting has been analyzed, structured, and compiled by Pune.Media’s Editorial Desk to bring you high-density business insights.

Original Coverage & Source Attribution: pluang.com

Zcash (ZEC) price rises 2.14% in one hour, hitting $1,370 with $480K short liquidations on Binance, Bybit, and OKX.

Zcash (ZEC) saw a 2.14% price increase within one hour, reaching $1,370 as of 7:32 p.m. ET on October 6, up from $1,342 an hour earlier. Over the past 24 hours, ZEC gained 4.52%. During this hour, short positions worth $480,000 were liquidated across…

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Hollywood stars return to Hampshire to film MobLand

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Editorial Disclosure: This article is an editorial-assisted curated synthesis of verified global coverage. The original source reporting has been analyzed, structured, and compiled by Pune.Media’s Editorial Desk to bring you high-density business insights.

Original Coverage & Source Attribution: www.hampshirechronicle.co.uk

Farnborough International Studios served as the unit base for the Paramount+ crime thriller during production at neighbouring Farnborough Airport.

The arrangement allowed cast and crew to work close to the airport while using the studio’s production offices, workshops, parking, power, Wi-Fi, water and catering facilities.

It provided a secure, serviced operational hub beside one of the area’s filming locations.

MobLand stars Tom Hardy, Helen Mirren and Pierce Brosnan.

MobLand stars Tom Hardy, Helen Mirren and Pierce Brosnan.

The series was produced in association with Showtime/MTV Entertainment Studios and 101 Studios.

It was created and co-written by Ronan Bennett, whose credits include Top Boy and The Day of the Jackal, and co-written by Jez Butterworth, known for Ford v Ferrari and Spectre.

The return highlights Farnborough’s location and infrastructure, with flexible studio and unit-base facilities and access to locations across the surrounding area.

Facilities include two 22,000-square-foot sound stages, more than 1,000,000 square feet of unit-base space, up to 3,500 parking spaces, workshops and production offices.

The site is beside Farnborough Airport and is 35 minutes from London by the M3.

MobLand season two is now available on Paramount+.

The production also showed how the site can support crews working at nearby locations.

The studios also offer more than 215,000 square feet of indoor shooting space, dedicated services and sustainability initiatives.

Germany stands with NATO allies Bulgaria and Romania after ship attacks

Editorial Disclosure: This article is an editorial-assisted curated synthesis of verified global coverage. The original source reporting has been analyzed, structured, and compiled by Pune.Media’s Editorial Desk to bring you high-density business insights.

Original Coverage & Source Attribution: www.aa.com.tr

Ayhan Simsek

06 October 2026•Update: 06 October 2026

Germany on Tuesday said it stands in solidarity with NATO allies Bulgaria and Romania after latest drone attacks on commercial vessels in the Black Sea.

“The drone attacks on commercial vessels in the Black Sea are deeply alarming,” the Foreign Ministry said in a social media post. “We stand in solidarity with Romania, Bulgaria and our regional partners.”

“These incidents have wider implications for security and stability beyond the region,” the ministry added. “Our thoughts are with those missing and their families.”

On Tuesday, drones struck two vessels off Bulgaria. One sank, leaving its crew missing, while the other caught fire and its sailors were rescued. A day earlier, a commercial ship caught fire and sank off Romania, outside its territorial waters, killing two crew members, while 11 others were rescued.

Flash Loan Attacks Drained $1.2B From DeFi Between 2020 and 2024: Study

Editorial Disclosure: This article is an editorial-assisted curated synthesis of verified global coverage. The original source reporting has been analyzed, structured, and compiled by Pune.Media’s Editorial Desk to bring you high-density business insights.

Original Coverage & Source Attribution: decrypt.co

In brief

  • Flash loan attacks caused $1.211 billion in losses across 72 incidents between February 2020 and July 2024, according to a study in the Journal of Financial Crime.
  • That was 18.44% of the $6.568 billion lost to all DeFi attacks in the period, with more than 80% of flash loan losses on Ethereum.
  • Attacks exploiting flaws in protocol logic were rarer but costlier, and grew in significance as platforms patched exploited weaknesses and attackers moved on.

Flash loan attacks drained $1.211 billion from decentralized finance platforms between February 2020 and July 2024, according to newly published research in the Journal of Financial Crime.

The study, by Professor Tim Hall of the University of Winchester and Remo Stieger, a former partner at Swiss risk intelligence firm SyntiFi, identified 72 flash loan attacks among 254 successful attacks on DeFi over the period. Those 254 attacks caused $6.568 billion in losses, 18.44% of which came from flash loan attacks.

Hall said in a statement that “we now are seeing crimes that we have never seen before,” some “capable of stealing mind-boggling sums of money, often in the tens of millions of dollars.”

Flash loans let users borrow assets from a liquidity pool without collateral, provided the loan is repaid within the same blockchain transaction. Attackers use them to access the large sums needed to execute an exploit.

More than 80% of flash loan attack losses occurred on Ethereum, the study found. Individual attacks ranged from $80,000 to $197 million, and those that stole $10 million or more accounted for over 88% of losses.

The researchers identified 14 types of flash loan attack, falling into two broad groups: those that manipulate price feeds, and those that exploit flaws in a protocol’s underlying logic. Logic exploits were less frequent but caused higher average losses.

Logic exploits accounted for 28% of flash loan attack losses between February 2020 and January 2022, and 55% from February 2022 to July 2024, according to the paper.

Four attack types accounted for more than 81% of losses: price oracle attacks, donate function logic exploits, reentrancy attacks and a single governance attack, which cost $181 million.

Flash loan attackers

Attack activity moved through phases of growth and consolidation, which the authors write suggests platforms improved their security after attacks while attackers found new vulnerabilities.

The study drew on an interview with one platform that suffered a major flash loan attack, granted anonymity at its request. The bug exploited had passed “ourselves and several of the auditors,” the platform’s representative said, and went unnoticed on-chain for more than a year.

Myriad: Where does Ethereum go next? Click to make your prediction.

The attacker began “taunting” the platform on social media afterward, Hall said, which “led to some victims engaging with the attacker and outlining the devastating impacts that the loss of this money had on them.”

The representative divided attackers into “hobbyist individual researchers” and professional state-level or organized crime groups, citing North Korea. From a blockchain security perspective, the professionals’ attacks “are not at all advanced,” the representative said.

The representative also described the toll on teams that suffer attacks, saying that “most often it ends up fracturing them and destroying them,” even when funds are recovered.

Losses exceeded 0.5% of the value borrowed through flash loans in only one six-month period, and flash loan use kept growing, the paper found.

The authors characterize the attacks as significant, increasingly sophisticated and unpredictable “but not existential” threats to DeFi.

Since the study period ended, decentralized exchange Bunni shut down in October 2025 after an $8.4 million exploit that used flash loans, saying it could not afford the cost of a secure relaunch.

“We are keen that this isn’t seen just as a piece of academic research,” Hall said. “The analysis we did has a host of applications for the cryptocurrency industry, for regulators and for legal and law enforcement agencies.

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YouTuber Gossip Goblin Releases Trailer For R-Rated AI Theatrical Film ‘Only Gods Give Gifts’

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Editorial Disclosure: This article is an editorial-assisted curated synthesis of verified global coverage. The original source reporting has been analyzed, structured, and compiled by Pune.Media’s Editorial Desk to bring you high-density business insights.

Original Coverage & Source Attribution: deadline.com

Popular YouTuber Gossip Goblin, aka Zack London, has released the trailer for his forthcoming film Gods Don’t Give Gifts, a feature film made entirely with artificial intelligence.

The sci-fi film will open in limited theatrical release in the U.S. and UK on December 4. The filmmakers say the theatrical engagement will be a milestone for a fully AI feature, adding that it is the first AI film to receive an MPA rating (R) and also to be campaigned in the Best Animated Feature category at the Academy Awards.

The trailer will go to theaters on Friday, along with lobby posters, and billboard ads are due to begin in November.

Full of trippy visuals matching London’s other work, Gods Don’t Give Gifts is billed as taking place in the “science-fiction, horror-tinged world of the ‘Second Cycle of Humanity’ where transhumanism has accelerated to the point that humanity looks very different.”

The film, which was previewed last month at the Venice Film Festival market, is produced by Edward Saatchi. Fable, Saatchi’s AI company, counts Amazon among its backers.

The filmmakers hope to draw interest in a market that has taken notice of YouTube creators in a big way over the past year, with significant grosses pulled in by the likes of Obsession, Backrooms and Iron Lung.

Over the past five years, Saatchi said in a statement, “the question has been when will an AI film win an Oscar? Gods Don’t Give Gifts is the first that has a shot at a nomination and then it’s all to play for. We will be screening for voters and running a traditional campaign. It’s objectively a seminal, historic moment in animation – and we feel it could be this generation’s Toy Story – the fact that this generation’s Toy Story is a dark, satirical, brutal and bold statement on all 2026’s fears about AI and our species’ future is an appropriate commentary on the questions we are all confronting as a society.”

Kradeos Launches to Improve AI Visibility of Software and SaaS Products on ChatGPT, Claude and Perplexity

Editorial Disclosure: This article is an editorial-assisted curated synthesis of verified global coverage. The original source reporting has been analyzed, structured, and compiled by Pune.Media’s Editorial Desk to bring you high-density business insights.

Original Coverage & Source Attribution: www.prweb.com